Devina Divecha. Journalist.

I write because I can.


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In Transit – the making of the cover and editor’s letter

In Transit – my dissertation project. A travel-based magazine which focuses on the lifestyle and culture of places abroad as well as hard-core travel.

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I won’t lie: it was a horror designing the cover for In Transit. Anna and I had picked out a whole smorgasbord of images, but when we showed drafts to our tutor, they were shot down. For good reason mind you…sometimes the subject wasn’t conveyed through the image, sometimes we just missed our target audience, sometimes it just didn’t click. We hadn’t even thought of using this image – the buffalo and a somersaulting Indian man – as the cover. But we were desperate and sent this one across for feedback…and our tutor Peter Genower, loved it. And so the cover page of In Transit was born.

It wasn’t too hard to get the font for the magazine though. Anna and I picked a few and were trying to compare which one fit best with our magazine. And again, we had input. Our personal tutor, Jonathan Foster, liked this font the best, even though we picked another one. He even asked Rich, the Journalism department’s IT go-to-guy, who picked this one out. It grew on us. Barbatrick was here to stay.

 

I enjoyed working on this page. Anna’s idea to use Polaroid-style photographs was brilliant, and we’ve kept that theme through the magazine as well. I thought it might look good with our names and details on a boarding card, although it was hard to find a decent image I could play around with in Photoshop. Overall, I do like the look of this page. But then again, I am biased :)

 

Next post: features I wrote for the magazine!


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Of Graphic Designers and Fonts

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I love fonts. Not surprising though – I feel most journalists, especially magazine journalists, should have an inherent love for them

I was reading We Love Magazines yesterday and I came across the story of David Carson (whom you can read more about if you click the shared image at the top of this post) who applied the font Zapf Dingbats – which consists of symbols only – to what he thought was not a very interesting story and ran it like that in the magazine Ray Gun in 1994.

That is just bloody brilliant!

As it says in the book I was reading yesterday:

And Carson’s legacy also lives on as a valuable lesson to editors: never, ever supply substandard copy to the art director. Or else.

It makes me wonder though – do we now take our designers for granted? Are they treated as puppets of the editorial staff or can they just Dingbat what they think is terrible copy?

 


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Soapbox – Magazine produced by MA Magazine Journalism students

As part of election week, the University of Sheffield hosts a production week where classes are not held and budding journalists do something for election week in their specialization. The Print students produced two 12-page newspapers, the Broadcast students did TV and radio packages on election night, and the Web students were handling the JUS News website.

The Magazine students created a 60-page political magazine called Soapbox. I’m really proud of the effort and work that’s gone into this magazine…Added to the praise we received from our tutors, publishing this magazine feels like an achievement and adds to everyone’s portfolio of work.

Hope you like it! (Find us on Twitter: @SoapboxMagazine)

Read Soapbox!!!

Cover of Soapbox

Interviews with Anna Arrow-Smith, Bridget Phillipson, Rod Rodgers, chasing the BNP, hobnobbing with the Greens, a hilarious TV debate round-up, dabbling with the Monster Raving Loony Party, a poem by Ian McMillan and so much more!

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